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Tag: Neotantra

Juta Takahashi: Pleochroism

Pleochroism

Pleochroism

Juta Takahashi: Pleochroism
Released: 31 December 2019
www.neotantra.co.uk
www.jutatakahashi.com

Juta Takahashi is strong enough to dream. In his music we do not re-locate, but rather we de-locate. The CD Pleochroism (62’06”) strengthens our hearts, as it stills our minds. Its music resides outside worldly realms – allowing us to step easily into sustaining zones of cerebral contemplation. As whispering synthesizers drift into silence, we find each of this album’s four electronic hymns to be a study in harmonic contrasts. Under a cloud cover of digital reverberation string triads sound out in the way moonlight sometimes shimmers. Beams of music, refracted through the spirit of the player, swirl elegantly throughout the sound space. Weightless notes bloom across a range of color and mass – in a process understood only on their own terms. Chords drift, slip and lift in a sweet reverie – as softer sounds prevail and coax the night to stay a few moments longer. Fitting easily into the New Age or Ambient Music categories, Pleochroism is a lush counterpoint to the lesser works of these classes. Each track seems to expand continuously over its duration – flowing gently through a range of sculpted textures and sustained moods. Pastoral and silvery then dark and dense, these slowly shifting realizations open up space then fill it with sound – as deep sonic pleasures lead to reassuring calm. In a time most concerned with the mastery of the world out there, listeners to Pleochroism may transcend the day-to-day – and find contentment dwelling in the universe found in here – within ourselves.

Chuck van Zyl/STAR’S END6 February 2020

Futuregrapher & Eric ‘the’ Taylor: Effects Of Clouds

Effects of Clouds

Effects of Clouds

Futuregrapher & Eric ‘the’ Taylor: Effects of Clouds
Released: 6 April 2019
www.neotantra.co.uk

Effects of Clouds (64’07”) fits into a category of Ambient Music that is difficult to label. Its eight musical structures caress the ear, and impress us each with their sonic variety and properly cosmic vibe. Demonstrating the many possibilities of their instruments and technology the collaboration between Futuregrapher (aka Árni Grétar Jóhannesson) & Eric ‘the’ Taylor also presents the many possibilities of their collective imagination. Throughout these whirling abstractions of electronic fragility it is unclear where to start listening – with so many fascinating textures and levels the more eager among us may want to hear this work all at once. Effects of Clouds is an easy album to become lost in. Its music is open enough in which to know our own thoughts, yet filled with a force strong enough to transfer the ideas of the musicians effectively to their audience. In a world where only the colossal will suffice, the scale of this work remains at a personal level. Some pieces sound muted, which somehow provides an unexpected intimacy. Some pieces possess an ecstatic richness, and an expressive interweaving of static harmony. And some pieces include spells of dissonance, yet retain an all-embracing spirit. But all of the pieces on this album – as they are so packed with wonder and a lofty emotional pull – will fill our space in a remarkable way. Swaths of electronics inhabit the upper reaches, to calm restless ghosts, as a mist on the verge of freezing into snow swirls in north wind currents. Sounds sit still in the gloom, while a heavy black night blots out stars – and we escape into a sonic mythology realm. Freed of the restraints of conventionally designed music, this duo pursues visions that are dreamy and surreal. Their luminous intricacy recalls New Age/Spacemusic classics of the 1980s, even while gazing toward a time yet to come. Jóhannesson and Taylor make a music that believes there is no shortage of tomorrows. As the Earth spins further forward into the future, and we all rest easily beneath a solitary sky, like rooftop antennae we wait for a strong signal – and for the Effects of Clouds.

Chuck van Zyl/STAR’S END25 July 2019