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Spacemusic Reviews

Tag: Markus Reuter

Markus Reuter: Monde trilogy

Monde vol 1

Monde vol 1

Markus Reuter: the Monde trilogy
Released: May/June/July 2019
www.iapetus-media.com
www.markusreuter.com

Modern times are not conducive to delicacy, so Markus Reuter‘s Monde trilogy may seem an indulgence – too luxurious and attuned to the long-view of life to have much of a message. Yet, past its overt calm we may feel something urgent running beneath this music’s smooth surface. Each one of the three disc set’s 27 tracks feels newborn, yet somehow ghosts beckon from every piece. On the Monde trilogy Reuter reclaims those silvery strands from the neglect of New Age and Ambient Music, and weaves them into an atmosphere so sensuous that we may easily lose ourselves within, but of such potency that we may just as easily find our self once inside. The sedated, softly sonorous string sounds, derive their sonic bloom from a learned balance of intuition and restraint – which Reuter commands after decades of studio experimentation and concert execution. His realizations were made in real-time performances with an electric guitar, and the associated processing effects, under quiet listening conditions. In touch with streams of creativity powering his mind, by way of the currents of electricity running through his guitar, Reuter’s compositions are honed, but not overworked. He has designed a gorgeous palette of textures and tones, arranged in pastoral consonance – which makes for our constantly renewed aural interest. From a single point of charged spark, to an expanse of the ether, this music shines in the brilliance of its imaginative scope. Aligning with the values of good Spacemusic it bestows a mental state that runs counter to that of the world outside. So long as we remain open to the seduction of Monde‘s understated drama and beautiful natural sound, may we enter its eerie darkness, to return later… up through reassuring light.

Chuck van Zyl/STAR’S END18 July 2019

Robert Rich & Markus Reuter: Flood Expeditions: The Gatherings 19 May 2018

Flood Expeditions: The Gatherings 19 May 2018

Flood Expeditions: The Gatherings 19 May 2018

Robert Rich & Markus Reuter: Flood Expeditions: The Gatherings 19 May 2018
Released: 4 July 2018
www.robertrich.com
www.markusreuter.com

People pray in a church. On 19 May 2018 Robert Rich & Markus Reuter played in a church, and did something that was truly new. Their program for The Gatherings Concert Series merged the aesthetics of Classical Music with the profanity of improvisation; as this duo did not just acknowledge the mystery of existence, they celebrated it. Their album Flood Expeditions: The Gatherings 19 May 2018 presents the full concert – where Rich performed at the grand piano and Reuter with his Touch Guitar and digital processing before a rapt Philadelphia audience. Some audiences sing along, or clap, while others may drink, dance, sway or bob. Symphony attendees read the conductor’s notes. At The Gatherings we listen, which provided Rich & Reuter with an opening to delve deeper into a new set of explorations – of a magic they had first encountered in the making of their 2017 studio album Lift a Feather to the Flood. These guys know all the notes, chords, scales, majors and minors. Yet the works found on Flood Expeditions are about the subtle power of sound – not for decorating the live space, but for a glimpse into something spiritual. With its ever-fading atmospheric tones and digital haze their realizations may seem a formless vacuum, yet everything is balanced by optimism. Rich’s piano notes resound through reverberation, surrounded by surreal fluttering environmental textures. Whether playing the keys seated, or reaching into the piano to pluck, scrape and strum its inner workings, he seems to produce emanations from a lifetime of receiving and expressing wonder. Reuter waits deep in the soundscape to find many electric moments. His guitar first breathes lowly, then asserts a color of succinct distortion in heated lead lines, expanding soon into ethereal consonance. Using a uniquely routed echo, he even manages to wedge in a conversation with himself. Rather than root the audience to where they sit, together Rich & Reuter transport us to an immaterial realm – where an internal guidance awakens. This music represents something outside of ourselves, upon which we project our thoughts and contemplations. There are no instructions for listening to Flood Expeditions, there is only the sensation of hearing. As we endeavored to hear their message in the darkened sanctuary this performance reminded us of the nature of possibility – of what we can become. But Robert Rich & Markus Reuter cannot play us into the answers, we must live into them ourselves.

Chuck van Zyl/STAR’S END12 July 2018

Robert Rich/Markus Reuter: Lift a Feather to the Flood

Lift a Feather to the Flood

Lift a Feather to the Flood

Robert Rich/Markus Reuter: Lift a Feather to the Flood
Released: 12 April 2017
www.robertrich.com
www.markusreuter.com

Robert Rich & Markus Reuter are well-known for their many musical journeys – from the back of beyond to the brink of the mainstream. On Lift a Feather to the Flood (66’00”) they mainly explore tonality, and many of its subtle shades and moods. With Rich at the grand, and Reuter breathing out atmospheres and textures from his touch guitar and synth, this duo realizes eight subtle thought zones meant for pondering and questioning – more so than assurance and confirmation. On Lift a Feather to the Flood we do find the dignified, stately procession of reverberant piano notes walking thoughtfully through a cloudy haze of digital mist. But the most potent pieces are made with an ear for light, motion and surface – compositions that we must reason our way through. It is in these deepest moments that we may feel this album’s personal tone. As they work in this unique frequency, using melody and harmony likes signs and symbols, Rich & Reuter lean into the Avant-Garde. Locating tone is their mission, and the production of these rarefied ambient zones touches a distinctive, inquiring energy, and maybe even a bit of our fear of the unknown. This work does seem to be searching, just for the stimulation of it – with Rich & Reuter sharing their deep wondering about music, humanity and life. This duo knows about this music’s secret mind, and in their dreamy, drifting, lulling, pulling sonics, we approach something like the actual flow of consciousness.

Chuck van Zyl/STAR’S END – 18 May 2017