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Spacemusic Reviews

Tag: Kosmiche Musik

Arjen Schat: AS

AS

AS

Arjen Schat: AS
Released: 1 September 2018
www.arjenschat.nl

Prior to spinning AS (44’29”) by Arjen Schat, try to imagine that this music is not residing on your digital player, but rather that it is waiting for you in some safe celestial space. Everything sounds better under starlight, and so from out of the galaxy deep this music will seem exquisitely formed. A heroic explorer, Schat’s reach is long. Representing either urges in the brain, or a sense of moving through an interstellar expanse, AS is loaded with pulsing synthesizers migrating in synchronized, echoing patterns. Along currents of dancing notes, each sequencer line reinforces the next – while full-throated lead lines rise like a strange hollow singing in our hearts. Designed to propel the listener endlessly through a trackless void, this album seems to confidently create its own space as it flies – however searching, tremulous and immeasurable this fascinating sonic realm may be. Carrying the light and line together we can almost feel the heat coming off of Scaht’s instruments. Yet, in this wonderful journey of four tracks, he manages to take us where his machines alone cannot. Who is it that knows how to navigate through the storm? That would be the person who has caused the storm. Being on your own, one can go deeper – and in his music Schat takes full advantage of this freedom. The sheer artistry displayed throughout AS is so expertly accomplished that we listeners cannot help but be seduced. It is remarkable how many fresh reserves of musical energy Schat teases out of such a well-established genre. Energy sparked by creativity is full of potential, and AS confirms that Spacemusic thrives when it provides an alternative to the doldrums of that which is common. This music is free to witness its own history, but has it lived up to the ideals that framed its founding? Possibly. If Schat can do everything right, control the chaos of electricity, move sound in the proper direction and place, he just might make something perfect.

Chuck van Zyl/STAR’S END11 October 2018

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Alluste: Alien Worlds

Alien Worlds

Alien Worlds

Alluste: Alien Worlds
Released: 24 May 2018
alluste.bandcamp.com

Piero Monachello is a propulsive musicmaker, and knows well how to keep the listener engaged. As Alluste his sequencers fire like the neurological mechanisms behind the mind’s functioning, and help better align thought and mood toward a more positive current. His Alien Worlds (61’18”) may be based on the 1970s Berlin-School, but it narrates from the present. Each work emerges and develops as in a slow gathering of hot blood. Still marveling at the beauty of synthetic sounds, the veteran Monachello sparks reactions and arouses emotions across eight tracks of brain beat Spacemusic. One does not listen to this music so much as drift into it. In a swirl of throwback synthesizers a tumbling latticework of echoing arpeggio notes dance along scales of nocturnal minor key chords. Lush harmonies sigh and whisper their celestial concord, as piano keys play out dramatically under digital reverberation. Full string sections may add warmth and fullness to one composition, as quickly as an ethereal vocal will leave us in a trackless void on another. Animated by the power of melody to convey emotions Alien Worlds stands strong against the harshness and cynicism that tears at the fabric of our world – and reminds us that we all still have our own feelings, questions and fears. While being all instrumental, Alien Worlds somehow manages to speak in a human vocabulary – requiring us to be beholden to something other than our own opinion. If you play this album, then you are agreeing to listen to Monachello’s story. There is a spirit that this music catches you up in, yet it is meant only to serve us – and that which stirs in our deepest of hearts.

Chuck van Zyl/STAR’S END30 August 2018

TaboTago: Kymatica

Kymatica

Kymatica

TaboTago: Kymatica
Released: 18 April 2018
www.iapetus-media.com
tabotago.wordpress.com

Bernhard Wöstheinrich, Andreas von Garnier and Leander Reininghaus are the Spacemusic ceremony celebrants TaboTago. These three minds are a fascinating interconnected machinery. Steeped in the brew of the Berlin-School their album Kymatica (52’12”) conjures well that particular era’s vague air of cosmic mystery. Throwing off currents of nervous, wiry energy this music portrays a specific moment of human interaction. The three musicians concentrate intently on the task before them. As their jam sessions deepen, they becoming oblivious to the rest of the world, which enlarges the sense of real contact and cooperation. Kymatica‘s six skillfully navigated tracks should make it obvious that there are real people involved in the realization of this music, and not a one of these pieces is the result of casual interactions with algorithms or automated applications. As sequencer patterns bolt from the starting line, seemingly with a pack of demons at their backs, Mellotron flutes, strings and choirs sweeten the air with their dulcet strains and affecting harmonies. Further in a discourse for electric guitar and synths has an air of self-interrogation – achieving an uncanny directness. It is an anthem for anyone who has raged alone at the night, sending questions into the darkness. But hearts should always mend by morning, and Kymatica quickly moves beyond the sunrise and back into starlit terrain. Minor-key chords are split apart into mechanistic and echoing arpeggio notes, winding out, then sustaining like an engine in its power zone. Lead lines bring focus to the story of the song, while modulated effects scatter in the wake of locomotion. TaboTago is an innocent wild thing, at the mercy of a ruthlessly predatory species – which is to say we the listeners. Kymatica is much more than the result of transforming an electrical current into sound. This work warns us that the future is out there – unstoppable, and on its way… asking what will it bring? and will we be ready?

Chuck van Zyl/STAR’S END2 August 2018

Gert Emmens & Ruud Heij: Galaxis

Galaxis

Galaxis

Gert Emmens & Ruud Heij: Galaxis
Released: 31 March 2018
www.gertemmens.nl

Our brain is a predictive organ, constantly guessing what will be coming next. And so throughout Galaxis, the triple CD set from Gert Emmens & Ruud Heij, our minds should feel thoroughly exercised. With Galaxis this long-lived duo offers 14 tracks that demonstrate their range as composers, arrangers and musicians. Overtly a Spacemusic collaboration, this epic release also benefits from ample electro beat box and conventional acoustic drum kit – a rhythm feature that permits this music to access the ideals of the musical mainstream (while never forsaking its cosmic roots). As the energy level builds, Emmens & Heij head out on a reckless ride into the unknown. Sequencer patterns run in machine like precision as full-throated lead lines and penetrating synth harmonies fill out the sonic story. Their spacier tracks offer a magnificent directness. As oscillators detune and phase, modulated effects chirp, flitter and glitter, then recede into the distance. With long lines of held notes we search for a path along an undulating arc of reverie. Lulled by an otherworldly calmness, the listener drifts on these vibrating currents – drawn easily above the shifting timbral expanse. Throughout this growing density a slowly building ethereal energy may be felt. Churning, shimmering sounds flow together into a sweeping resonance, then are displaced by a new and equally novel airy form. Cosmically complex yet microscopically intricate these zones meant to spark our imagination exposes the purity and calm of two electronic souls. While Galaxis may be promoted as having something for everyone, how much better to consider this diverse offering as an invitation to embrace and appreciate the many moods and ideas of which this unique genre is capable. Beautiful and strange, quietly profound, then rocking and charged, every piece evokes an inner experience through the artful shaping of sound. In its forward thinking, this kind of music has always been about making the future, an activity that at one time took place outside of science fiction. But, as some truths are better told in sound, the purpose of this music now might lie in its ability to help us just survive the present.

Chuck van Zyl/STAR’S END26 July 2018

Klaus Schulze: Silhouettes

Silhouettes

Silhouettes

Klaus Schulze: Silhouettes
Released: 25 May 2018
www.spv.de
www.klaus-schulze.com

It may seem that when Klaus Schulze releases an album the whole history of contemporary Electronic Music lines up behind it. Yet from the audience’s perspective, the pure experience of listening to his music pushes thoughts towards the future. Silhouettes (75’00”) is for people wanting an intelligent, sophisticated production, not kid stuff. Its urgency and subtly heightened, fiercely focussed energies evoke a feeling of somber introspection. Silhouettes deepens quietly, as a deep dark something happens around the edges of its four tracks. With a tug of dire, inescapable gravity the world seems in absolute suspension – nothing moving, everything centered. In brighter passages exuberant harmonic gestures calms the formless questions gnawing at our souls. Where the music is spacious and uncluttered, sustained notes, sustained chords, and progressions of chords speak an utter truth with sound. It is a dense work expanded by inventive scoring and powerful narrative ideas. Light sequencer patterns arise, hurrying the interior current within, adding dancing tones to our teeming, gleaning minds. This kind of music usually benefits from simplicity, a point Schulze understands well. Silhouettes has a weightless allure built out of droning spaces and populated with cloud melodies that float and hover. While not exactly minimalist, because the layers are too involved and full of forward motion, Schulze’s achievement continues to be an assured, calmingly quiet atmosphere, which allows you to escape reality in a way unique to this venerable musician. However, his most enduring effect may be that he made our world appear to be a better place, by helping us keep the outside world outside – as you listen for the infinitely precious sound of the universe rhyming with one’s own brain.

Chuck van Zyl/STAR’S END – 21 June 2018

Cosmic Ground: Cosmic Ground IV

Cosmic Ground IV

Cosmic Ground IV

Cosmic Ground: Cosmic Ground IV
Released: 21 May 2018
www.cosmicground.de

It may be argued that we are drawn to whatever in music that is boldly marked with personality. The brawny, brooding, primal realm of electronic sound realized by Dirk Jan Müller, in his highly personal effort as Cosmic Ground, does offer a distinctive synthetic substance – as well as access to the feelings of the lower plane. The album Cosmic Ground IV (78’26”) wanders to bizarre, distant and involved coloristic regions. If a synthesizer is a tool to make sound, then electricity is the raw material – which works its will within us across this CD’s seven tracks. Utilizing the darker portion of the audible spectrum the composer subjects the listener to a range of daring and captivating mental experiences. Phantasmal sonic events seem to confront underworld demons, as we move away from any concluding serenity. Along with all its foreboding, Cosmic Ground IV does give the impression that Müller takes some pleasure in the rhythmical arrangement of sound. Large-scale discharges lead to episodes of stormy grandeur, yet a swollen waltz of dancing arpeggio notes soon lights our shaky steps. However, in spite of a cerebral climax of overpowering sequencer sonority, we may still feel this music becoming darker by degrees. In ominous oscillations between Mellotron black and the comforting chords of a soft electric organ, this music is trying to say something for which words have not yet been invented. Many albums of Spacemusic simply provide pleasurable feelings to the listener. This one goes further… transmuting vague sentiments into the human sense of wonderment. Following the course of thought, Cosmic Ground IV provides a contact between two minds: that of the author and of you – who benefit from being open to the refreshment, the strengthening, and the stimulation of this work.

Chuck van Zyl/STAR’S END24 May 2018

EFSS: Tidal Shift

Tidal Shift

Tidal Shift

EFSS: Tidal Shift
Released: 9 April 2018
efss.bandcamp.com

If you are seeking an easy way to shift your mind set, then just cue up Tidal Shift (54’23”) – the collective collaboration between Jörg Erren, Bert Fleissig, Jochen Schöttler and Christian Steffen. This album selectively activates neurochemical systems and brain structures associated with positive mood – as its music travels from the brain space of the creators directly into ours. Each of the seven tracks vibrates inside us, one by one conjuring a different color and atmosphere. The tempo may prowl then race outward with machine-like focus. A sense of serenity mutates into unease, setting us down amidst oxidized tones and an eerie beauty. Metallic drones, churning within collapsing worlds, are soon joined by ethereal strings and ticking percussion – with fat synthesized blobs marking time beneath flights of echoing sequencer runs. A rhythmic grid locates itself in space, and is promptly foregrounded by glittering modulated effects and raw energized sparks. Ghostly assemblages of drifting electronics become absorbed by a restless surge of synchronized patterns, only to plunge us back into the stillness of a close and holy darkness. All this and more makes Tidal Shift an exhilarating document. EFSS spends only a few days a year working together urgently on this music, and here reaches a new plateau. This release reasserts their originality as musicians – operating in the luxury of an underground haven where ideas can be explored freely with no worry of how they will land. This secluded existence is built around the contemplative pursuit of making music. By purchasing this CD, playing their work, and listening, we are granted permission to go with them on an intimate journey of creativity.

Chuck van Zyl/STAR’S END10 May 2018