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Spacemusic Reviews

Tag: ethereal

Kelly David: Meditation in Green

Meditation in Green

Meditation in Green

Kelly David: Meditation in Green
Released: 23 August 2019
www.spottedpeccary.com
www.kellydavid.com

Kelly David is exploring the Earth, and discovering that it is far bigger than he imagined. The release Meditation in Green (58’03”) allows us to project ourselves into his luxurious, long-view. Those open to the seduction of electronic drama and its beautiful symbolism will be substantially rewarded. Utilizing a variety of pristine field recordings, and layering them with gentle percussion and evocative synthesizer surfaces Kelly David produces passages of mystic bliss – where reverberant chords move like slow clouds on the horizon, and glowing tones flex and fade off into a buzz of jungle. From ethno-grooves to Forth World dreamscapes, the arc of this fantasy for synths, samplers and landscapes recedes and expands as the music flows across a leafy, watery and often intense sonic terrain. Some tracks add a ceremonial rhythmic propulsion, but we will recognize that most of Meditation in Green is pushing slowly through a dreamy, verdant realm. This work’s series of seven interludes build tension through minimal means, driving one to consider the larger questions of what it is to be alive. The listening experience is sensuous enough to become lost in, but so vivid that we might encounter ourselves somewhere along our travels. In its textured roar, wilderness sounds, ethereal atmospheres and thunder claps we find an escape from the broken world. The screens of our modern times offer so much to look at, from the trivial to the sublime. Yet, Meditation in Green proves to be a move vivid experience than any random feed could possibly offer. To give his perspective on the world and its ancient governing powers this artist’s vision reaches us through the act of listening, to be interpreted within the theater of our minds.

Chuck van Zyl/STAR’S END17 October 2019

Juha-Matti Rautiainen: Above Me Weeps the Sky

Above Me Weeps the Sky

Above Me Weeps the Sky

Juha-Matti Rautiainen: Above Me Weeps the Sky
Released: 15 November 2018
www.juhamattirautiainen.com

We find the music of Juha-Matti Rautiainen drifting in a cool deep blackness. Tinged with cosmic melancholy his album Above Me Weeps the Sky (66:31) feels as intimate as a whisper, yet as vital as the sun rising on a new day. Rautiainen has a musician’s gift for finding and organizing the perfect range of sounds and textures meant for conjuring a specific atmosphere – in service to expressing certain emotions. It is this exact sonic poetry that gives this album its slow chill. Rautiainen has obviously left the conventional view of his instrument behind, as Above Me Weeps the Sky finds him using it to explore music of stillness and space. The music slowly alternates between a trembling vulnerability to waves of strength and light – often with a deep subsonic foundation. Coaxing new and surprising timbres, along with more comforting melodies and contrasting harmonies, the field of sound expands beyond the well-established palette of the bass with layered tones, bending notes, metallic pitch shifts and image altering processing. His success may be found in the connection of imagination and creativity to technique and technology – and the taming of a quieter action. Rautiainen has not found the right solutions to the problems plaguing our age, but he has found the right questions. By hearing him play the electric bass guitar in a most resourceful way, doing such imaginative things with it, eliciting sounds from out of the sky on down to the ground, with just four steel strings, it should not be hard for us also to imagine being bigger… larger than the way we find ourselves. We are a meaning seeking kind, and so seek to silence the turbulence within to better carry out our ways. By taking the way of the thinker we may find that we are not living through a bad time, but it is an empty time – which leaves it up to humanity to find the sacred. And so we shall, even as the sky cries above the weary world.

Chuck van Zyl/STAR’S END27 December 2018