starsendradio

Spacemusic Reviews

Tag: Chuck van Zyl

David Parsons: Chakra

Chakra

Chakra

David Parsons: Chakra
Released: 8 November 2019
gterma.blogspot.com

From the calm center of David Parsons comes an expression above existence. Through the specific language of his music he shares with us a discipline, a devotion that most people usually keep private. Chakra (63’25”) provides seven tracks for the quieter, more inward pursuits – and gives the moments we pass listening to it greater significance. Entering its weightless realm we feel received, accepted. Throughout its primitive polish and coarse refinement the human self remains audible. An enigmatic, deep album of methodical pacing and ceremonial intensity Chakra does not lead the listener, but stays with us well into the deeper dream. Electronic textures grow, thicken and gently shift, as harmonics become dense, then fall away into a smooth ribbon of sound. Expanding drones slow the plane of daily existence, as failing hums and buzzes give way to riffs of percussion which carry through the linear path of time. Chiming metallic tones ring above the tapping of synths and clicking of keys. Where breathy sounds seep into one composition, the chant of sequestered monks is released in another. Taken all together these elements convey the enigmatic yet simple essence of this world apart, and may even evoke the metaphysical dimension at the center of the player. However pleasurably adrift in this state of continual expansion, the listener is held inside an intriguing sonic palette – an experience notable for its profound impenetrability. The mind, the soul, the heart, this work touches all three. Chakra is not situated in the past, nor in the future. Within this most vivid sound field every listener is at the center of an infinite circle – with David Parsons declaring himself throughout.

Chuck van Zyl/STAR’S END16 January 2020

Rene de Bakker: Our Gift

Our Gift

Our Gift

Rene de Bakker: Our Gift
Released: 1 June 2019
www.groove.nl

Our Gift (76″04″) is the ambitious solo effort by Rene de Bakker. Part of the Dutch synthesizer ensemble Beyond Berlin, on this release both the musician and audience discover what he is capable of left to his own devices. Our Gift presents six tracks of brilliantly intricate sequencer patterning. Transpiring in an electrical heat this music will throw off sparks. In an effortless braiding of high-concept electronic music and echoing notes each realization conjures a distinctive spacey mood. Polymetric pulses yield complex interlocking, repetitive motifs – and deliver a potent sense of motion. From the beat of the heart to the tick of a clock, larger cycles build from smaller ones. Rene de Bakker commands a striking range of electronic color and texture. Some works maintain just enough keyboard notes to sketch a melody, but where ever tension is fully wound up the leads tower fast and true. Flowing across a fascinating range of textures and moods one may drift into this album. However, Our Gift is an excellent example of smart brain beat Spacemusic, and so requires our attention. Spending time with it is never less than intriguing, and will leave us with a lasting sense of possibility.

Chuck van Zyl/STAR’S END9 January 2020

Neuland: Neuland

Neuland

Neuland

Neuland: Neuland
Released: 22 November 2019
www.neuland.net

The self-titled debut by Neuland may be based on the 1970s Berlin-School, but it narrates from the future. Neuland unites two of Germany’s most prominent and established synthesists: Peter Baumann and Paul Haslinger. The pairing brings out the best each has to offer. Baumann & Haslinger have a great deal in common. They both independently rose to icon status – catalyzing the contemporary synth community – through their work with Tangerine Dream and in significant solo projects. On Neuland two monuments to our scene offer fresh insight into the energetic realm located somewhere above Spacemusic but just below Prog-Rock. Fortunately for intelligent listeners their pursuits are beyond that of the commercial audience. Freely exhibiting a musical vision and technological talent this duo lights up the neural pathways – and leads us on a substantial listening experience. In a swirl of synthesizers a tumbling latticework of echoing notes dance along scales of minor key textures. Sequencers fire like mental mechanisms – to better align thought and mood toward a more positive current. These neatly built pattern exercises provide a hurtling onrushing quality. As electronic harmonies rise and fall, in light and dark tones, an unexpected beauty emerges. In their building, slow-burning spacey anthems lush harmonies sigh and whisper a celestial concord. Chords change keys and the sound fills out. While being completely instrumental, the music somehow manages to speak in a human vocabulary. With each ribbon of melody unfurling, the drama of the song unfolds. By playing this album you are agreeing to hear a story. Rigorously composed and realized, these 15 tracks across two CDs attest to Neuland‘s tendency to interact with the world in the image of their dreams and nightmares. Animated by the power of melody to convey emotions this work stands strong against the cynicism that tears at the fabric of modern life – and reminds us that we all still have our own feelings, questions and fears. This debut is a vivid mind trip on headphones – and knows that the deeper we go within ourselves, the better we may connect with the rest of humanity.

Chuck van Zyl/STAR’S END2 January 2020

Forrest Fang: Ancient Machines

Ancient Machines

Ancient Machines

Forrest Fang: Ancient Machines
Released: 2 December 2019
www.projekt.com
www.forrestfang.com

What is Forrest Fang doing for this world? With the release of Ancient Machines (73’06”) he asks us to hear what he hears. By listening to this album we take our first steps into a larger realm – a zone expressly for those desiring to encounter things outside of themselves. These new territories are reached with each of his successive efforts. The 11 luminous, graceful, self-assured tracks found on Ancient Machines seek a timeless space. Reconnecting us with life as it should be this music thrives. The most absorbing material may be compositions that feature violin or piano, which have been plucked, picked, bowed, struck or strummed. Propelled gently by tempo energy their voice and structure heaves under atmospheric weight. In a simultaneous sounding of tones a feeling of rest, of no need for further resolution is produced. Yet on some realizations clashing frequencies produce mildly moody results. A balance of opposing tensions, the connection between disparate sounds may lead us to better connect with unfamiliar ideas. In a slowing that sinks us back in time each piece is an exploitation of carefully chosen and contrasted tonal qualities. Under a building torrent of reverberating electronics this tech-tinged hybrid work seems from a primitive past, somehow beamed to the present day. With its masterful emotive shading Ancient Machines will be good for listeners, and even better for dreamers. Synthetic sonorities are combined with groupings of acoustic sounds and instruments in a specifically composed manner – and form a unity so as to convey the message of the artist. In a blend of art and technology he arranges timbres, pitches, and rhythms in a way so well that it stirs the emotions of the listener. All musical activity by Forrest Fang is the reproduction of the world that surrounds him, by means of the world that is within him – recreated in a personal form and an original manner. As for the listener, meaning is elusive… out where this music’s thousand dreams softly burn.

– Chuck van Zyl/STAR’S END26 December 2019

Chuck van Zyl: Recitals 3

Recitals 3

Recitals 3

Chuck van Zyl: Recitals 3
Released: 21 December 2019

www.facebook.com/synkronosmusic
chuckvanzyl.weebly.com

Since 1986 Chuck van Zyl has been a man finding his moment, in any live space that will hold him. The double CD Recitals 3 presents music recorded at several 2018 performances. His shows were documented with an ordinary two-track recording device, and, after months of review, two 60+ minute sonic journeys were produced and released as Recitals 3.

In most live improvisations a player is trying to transcend their instrument – but live concerts for Chuck van Zyl are an attempt to transcend a system of instruments. Finding the truest version of himself on stage his wish is that, according to the musician, “the you inside you will know something about the me inside me”. Making the music happen in space, as if touching the notes, molding them and shaping them within time itself offers a great quality of expression. Recitals 3 arrives with high expectations and from the start it delights and transports. The live concert, the flickering shadow of the soul is where moment by moment this music was realized. Musicians know that it takes someone else to hear the truth in their work, and it is in the concert venue that Chuck van Zyl promises to uncover the secret of his own operation.

Disc 1 (71’39”) includes music from live performances for MUSIC WITH SPACE, Johnny Brenda’s and NEEM Fest 2018 and moves from the dolorous to the ecstatic in a balance of opposing tensions. As if upon the workings of some powerful engine the music moves deliberately in sequencer steps rather than abruptly in leaps. Entrancing cyclical motifs and subtly spun melodic fragments pivot in front of harmonies and phrases and so make the repetitions feel new and novel, yet confidently familiar. In his vast poem of electricity van Zyl threads reciprocal shades of soft-hued tones, dazed sonic introspection, icy reverie, and lunar lullaby into a kaleidoscopic suite of interstellar melody and electronic communion. In sputtering sparks this work sounded crisply on the mild air of the concert space – while further in, the rolling clicking-clock ticky-tock pulse will unwind your mind. A symphony of thought, The Weakening Eye of Day fascinates the mind, captivates the heart, and stimulates the imagination.

Disc 2 (76’05”) features extracts from the abstract passages of five performances, and hopes to bypass the conscious sensibilities for a direct connection to that which is elemental within the listener. Like a meteor seeking a lost sun this passage spends its force searching. Inside the lowest midnight a thousand dreams softly burn. Through shivering chill currents, we pass the control of known forces. Like something falling through darkness, this moonlight swirls in the color of night. Notes collide, collude and combine. Each movement comes at you in a ramble of melody, a search of harmony, a flight of timbre. With chords moving in contrary motion, and opposed by industrial sound effects, the listening ear is pulled through the shadows to light. Throughout To the Close and Holy Darkness Chuck van Zyl develops a poetic idea, suggests a scene, creates a mood. Even as its accord of sounds, so sweet and pleasing to the ear, is opposed by dissonance, we may hear a unity in the arrangement and the message it conveys.

Communing at these concerts the soundscape forms itself around us, and so we may feel human together – the bright tones communicating a sense of repose and clarity and capturing a wide range of deeply felt interior resonances. The music found on Recitals 3 displays the glimmer of imaginative energy that has graced van Zyl’s music for over 30 years. Conjoining disparate impulses it evokes cycles of collapse and renewal. Gorgeously colored, weighty in theme, style and construction this music reaches into the world of the surreal. As expected, this live album does feel newborn, yet ghosts are created on every track. In a culture where everything can be explained, the meaning of this music still eludes definition – because somewhere in its vast stretches of the unknown and the unanswered, there is something moving, something profound – is waiting.

From the Press Release – 17 December 2019

Skoulaman: Fluxes in Philadelphia

Fluxes in Philadelphia

Fluxes in Philadelphia

Skoulaman: Fluxes in Philadelphia
Released: 26 October 2019
www.groove.nl
www.skoulaman.nl

The Dutch Electronic Musician Hans van Kroonenburg chooses to make his life bigger through playing concerts as Skoulaman, and ours richer through the act of listening. His Fluxes in Philadelphia (71’45”) extends the fleeting connection of the concert venue through a live CD. Recorded on 18 May 2019 as part of The Gatherings Concert Series it reaches moods and emotions that a less adventurous contemporary instrumental music could ever possibly touch. Seated in the pews during this confident performance it was hard to recall the existential emptiness of modern life just beyond the reverberating sanctum. The seven tracks found on Fluxes in Philadelphia are examples of the Skoulaman live dynamic at its peak – living in the flow of the moment and simply playing to those assembled from the heart. With still sustaining synth pads supporting interlocked sequencer blips, rising keyboard lead lines converse with electric piano. In the ambient, more reflective zones the mind flows inward – with the focused, melodic, rhythmic sections leading us on a journey outward. When stirring up metallic glitter analogue synthesizers breathe ethereal tones. In an instant we hear the lyrical rush and rumbling of a coming time. With its celestial choirs, growling pads and delicate textures this work portrays a certain amount of drama – yet its delightful acceleration never disturbs the friendly and contemplative feel. With the sound expanded on two tracks by local electric guitarist Harrison McKay, the Skoulaman show took flight in midnight swirls and cloud nine bliss – and demonstrates the rare thing that may be felt when a unique talent, receptive audience and reverential air all converge in a unique sanctuary setting. This is a realization that could never be the mere distillation of several classics, as the unique and supportive atmosphere contributed so significantly. The conditions under which this music was made are of a factor that can never be replicated – a one-time-only moment for Skoulaman to hold forth and make his statement. Those at the performance could see the joy this man took in the act of playing music and creating something new. Through the release of Fluxes in Philadelphia everyone may now hear this joy. This event and album reminds us that the world is still full of beauty and kindness – and the musical realm Skoulaman creates is a place we should all aspire to live in.

Chuck van Zyl/STAR’S END12 December 2019

Alluste: In the Deep Blue

In the Deep Blue

In the Deep Blue

Alluste: In the Deep Blue
Released: 15 October 2019
alluste.bandcamp.com

Alluste performs with a grace and force that is rare even among more seasoned players. With each new release Piero Monachello envisions new thoughts and ideas, then makes music which we may listen to, and so better know his beliefs. The album In the Deep Blue (70’24”) unfolds in the fast-moving, unerring style of his previous works. With its neat beats and pulsing sequencer patterns the nine tracks lead us to an elaborate sonic dreamland. The tick-tock of these most wonderful clockwork compositions flows across a fascinating range of textures and moods. In a staircase of clouds the haze of a cosmic choir overtakes rising synth leads while ethereal string chords thicken the atmosphere. Each piece develops incrementally, steadily advancing and expanding. The bright spots are incandescent, fairly vibrating with new energy, while further in wandering explorations of harmony, melody and rhythm provoke a range of reactions. A work of surprising effect In the Deep Blue will take us into the deep forever, and far beyond tomorrow.

Chuck van Zyl/STAR’S END – 5 December 2019