Spacemusic Reviews

Tag: Caterina Barbieri

Caterina Barbieri: Spirit Exit

Spirit Exit Caterina Barbieri

Caterina Barbieri: Spirit Exit
Released: 8 July 2022

Electronic Musicians are as different from each other as they are from the dominant styles of their day. In keeping with this belief on Spirit Exit (55:53) synthesist Caterina Barbieri locates the action in her synthesizers and brings to bear an unmistakable and true personal voice. Unfolding in an atmosphere of charged equilibrium its eight tracks prowl each their own musically distinctive surround. As one idea takes off in an unpredictable, unstoppable play of innovation, the next fuses into a seamless, dreamlike texture of ingenuity. Disciplined, machine-like galloping notes wind outward, emerging in a sprawling upward, downward theme. Extending the rapt mood spacey singsong vocalizations rise in contours shapley and measured. Barbieri intones with force, then finesse – her coolness prophetic of another kind of power. As branching sequencer structures cycle through light and dark designs, intriguing pulsing patterns echo, expand and conspire throughout our sound space. In a soaring clockwork precision of restless exploration Spirit Exit unfolds under Barbieri’s practiced naturalism. Synth chords seethe beneath deliberate changes in meter – the intention of the invention in support of rhythmic energy. With its imaginative sudden swerves and diverse sonic designs, those following closely may behold the sublime character of this work. Here is a musical world brimming with rhythmic complexity and dynamic variability, yet is supple and approachable from every perspective. One could imagine spending years with this album – light years of discovering new meaning and beauty as its maker is continually revealed.

Chuck van Zyl/STAR’S END6 October 2022


Caterina Barbieri: Ecstatic Computation

Ecstatic Computation

Ecstatic Computation

Caterina Barbieri: Ecstatic Computation
Released: 3 May 2019

It sounds like synthesizers, it sounds like sequencers, it sounds like someone is alive. That person is Caterina Barbieri, who, with Ecstatic Computation (36’04”), has realized a substantial Electronic Music. In her poem of electricity an ecstasy of synthesizer modules, cables and cases are used to describe an imaginary place with imaginary sounds. Irresistible from first bleep to last bloop, this album illuminates corners of the mind which usually stay dark. Overflowing with effortlessly effective musical invention Ecstatic Computation is uniformly excellent. Interweaving multiple tone patterns in a simple, fluid elegance this release comes through refreshingly unlike much of modern music. Full of incident, drama and emotion the six world-warping tracks seem like the inside of a cosmic clock – intricate, labyrinthine, and working around us in a kind of harmony we cannot begin to comprehend… until the final note sounds. Melodies bound along with rhythmic freedom, harmonies shift from one color to another, with full-strength synthesizers bleating, dancing and popping before our ears. In a kind of bladed terrain the musical forms assemble themselves around her, rather than in a pre-figured trajectory. Honed but not overworked Barbieri’s style has found a productive partnership between music and technology. Sounds collide and combine amidst a pervasive air of cool. In a slow precision her perfectly placed transitions produce an expressive urgency. Through a fugue of the continuous she travels the abyss between dreams, to realize the mirage of a coming age. On the black waters of Modular Synthesis Caterina Barbieri casts an ideal shining timbre – the presence of which might still our thinking and allow us to truly sense what we are hearing. Every generation must discover EM for itself, and in her time Barbieri has not only acquired total technical command of her music system, but has also developed an unmistakable voice. Her starry future is fueled by imagining that something wholly unfamiliar might still be encountered somewhere in the distance. But we will always feel like strangers to her, as Barbieri has peered into another realm – and we cannot follow. By listening to her Ecstatic Computation, we encounter an expansive imagination, and take our first steps into a larger world.

Chuck van Zyl/STAR’S END22 August 2019