Works by Nils Frahm always feel more from the heart than from the wall outlet. In a transformative encounter with electricity his three CD/four LP set Music for Animals (186:43) presents ten remarkable tracks of Ambient Spacemusic. Building wonder and suspense within an atmospheric system of minimalism, the air of this release is serious, but not dispiriting. Below its subdued sense, punctuated by passages of radiance and light, the meaning behind Music for Animals steals into the audience through the sides of the head. Subtly propulsive, then still, beautiful and strange, in translating electronic currents into sonic textures Frahm’s chords move from deep-toned to light and radiant – melting an experimental mood under a sudden gravity. Underpowered sequencer lines hold space and reduce the mechanical-motor pulse into something more secret, lean and potent. Above the rounded machine patterns floats an ethereal glow of quietly yearning synths. Transported from another purer realm these arrangements counter the shallowness of the mainstream – and pose that life is nothing if not electrical. Every zone is mood chilling, yet heart warming. Such is the beauty of Frahm’s music that each moment is an enigmatic delight. The tone that comes so naturally to him floats somewhere between dreams, memories and the fragments of a time yet to come. Music for Animals does everything we ask of great music: it enlarges our world, expands our attention outward, and opens up our hearts and minds. For musicians like Nils Frahm EM is about mobility, mobility of expression. In its many meetings in recognition, along dimensions that cannot be articulated with mere words, the realizations illuminate an inner reality, but long for real life.