[‘ramp] happy days are here to stay
[‘ramp]: happy days are here to stay
Released: 29 August 2022
Whenever a label named “Doombient” releases an album called happy days are here to stay (73:15) we might wonder, can the end of the world be that far off? The irony emitted by such an incongruous view and title is the stuff of Stephen Parsick‘s favorite mania, and how he processes the world. His work under the name [‘ramp], with its shifting myths of sound and unrelenting territory of timbre, emerges from a place of wonderment and integrity. While the self-aware nostalgia of happy days are here to stay brilliantly conveys a Berlin-School enlightenment, as well as the mysterious mood and aura of discovery from this era, we must ponder what Parsick is not telling us. Across eight tracks a spirit of infinity seems alive – taking flight with enough force to place each listening spirit safely into Earth orbit. In exhilarating lateral shifts come simplified lines of ordered notes and rich colors of sound. Although of a monumental quality this realization may be heard better as an intimate chamber drama possessing an expansive cosmic overlay. In subduing the impulse for embellishment a quiet longing of soft Mellotron flutes hovers above a spare soundfield – an elemental simplicity softening the controlled riot of pumping sequencer patterns below. As finely tuned as anything by [‘ramp] happy days are here to stay is dense, prismatic, mesmerizing, and capable of imaginative leaps. But with this ironic title, it may be trying to catch the current moment… when actually the moment it succeeds in capturing is from a long ago age of truth and hope for the future. Complete brain engagement from the listener is not required, but it would help. Full of Spacemusic’s transformational promise, cosmic yearning and diverting abandon this music trusts you to have not outsourced your thinking. As the musician is revealed to the world through their actions, through their art, we should not miss even one split second of this aural adventure. Because with intimacy exhibited at this level, sometimes we learn more than we should.
Chuck van Zyl/STAR’S END – 1 September 2022