Howard Givens & Craig Padilla: Being of Light

by starsendradio

Being of Light

Being of Light

Howard Givens & Craig Padilla: Being of Light
Released: 8 September 2017

While the synthesizer ceremony which begot Being of Light (68’26”) may have begun in a studio, it concludes well out into The Universe. Howard Givens & Craig Padilla have met again in a fellowship of the imagination, and aspire to be their best selves. Building on a musical relationship established on their previous release Life Flows Water (2015), they continue to mine the possibilities of Spacemusic as the perfect tool for exploring the possibilities of the world. As the robust dialogue unfolds in weightless flight, we find it hard to resist a work animated by such free-form randomness. Passing through the night, diffuse emanations rise against a much larger backdrop. As starlight chords shine in a shadowy midnight, waves of rounded electronic figures produce tranquil zones for inward contemplation. Within mesmerizing drones, this album’s momentous moments slip by in a beguiling ease. Yet, thanks to its recurring synth string chord motion, harmony and contrast interplay to great effect. Making a gentle path through the sense of hearing, Being of Light presents four sustained atmospheres for fathoming our own mental mysteries. Issuing cool notes as in a round silvery beam, well-warmed keyboards seem determined to conjure joy. Measure upon measure of slowly changing, undulating chords advance and recede along a musical arc of vague dimensions. The slowly breathing tones summon interesting variations in mood and space. Synthetic pads rush together to form a still subtle layer, as further in the atmosphere charges with a wispy, bewitching haze of restrained, poetic minimalism. Signaling forward motion, the quiet patter of slowly repeating bass notes support well-placed guitar and piano, hovering just within our grasp – offering much-needed points of reference along an expansive aural journey. Givens & Padilla shape the listening experience by stretching and compressing time through the arrangement of sound, its density and timbral elements. In cool constraint, they dwell in restful sonic colors – luxuriant in their stillness. Any work flooded with this level of emotion is worthy of our respect. The refuge of music offers (those open to it) safety from the prevailing contemporary spiritual vacancy. Being of Light brightens, and the darkness seems chased away – which should be quite helpful while charting the inner map of knowing.

Chuck van Zyl/STAR’S END1 March 2018